reviews of the play: |
Paul Alexander |
| CURTAIN UP REVIEW Edge Method Machine website: methodmachine.org |
A former reporter for /Time/, Alexander
has published nonfiction in /The New York
Times, The New York Times Magazine, New York, The Nation, The Village
Voice, Worth,
The New York Observer, George, Cosmopolitan, More, Interview, ARTnews,
Mirabella,
Premiere, Out, The Advocate, Travel & Leisure, The Los Angeles
Times Book Review,
Biography, Men’s Journal, Best Life,/ but mostly /Rolling Stone/. In
Europe, his
nonfiction has appeared in /Paris Match, Gente/, and /The Guardian/.
Alexander is the author of the plays /Strangers in the Land of Canaan/
and /Edge,/
which he directed. Developed at The Actors Studio, /Edge/, the
critically-acclaimed
one-woman show about Sylvia Plath, played Off-Broadway in New York,
where Angelica
Torn received an Outer Critics Circle Award nomination;
Off-the-West-End in London;
and venues in other cities, among them the Coconut Grove Playhouse in
Miami, where
/New Times/ named Torn Best Actress for the 2004-2005 season; the Circa
Theatre in
Wellington, New Zealand; and the Marfa Theatre in Marfa, Texas. /Edge
/toured
Australia in early 2006. In the fall of 2007, /Edge/ had a second run
in New York
prior to playing The Odyssey Theatre in Los Angeles the winter of 2008.
Alexander is
the director of the 2004 British revival of Ariel Dorfman's play /Death
and the
Maiden/ and /Brothers in Arms/, a documentary film about John Kerry and
Vietnam
(First Run Features). He has completed /Good Morning Heartache/, a play
with music
about Billie Holiday. Alexander is a graduate of The Writers Workshop at The University of Iowa and a member of PEN American Center, The Authors Guild, and the Playwrights and Directors Unit of The Actors Studio. In the fall of 2002, he was a Fellow at the Hoover Institution at Stanford University. He lives in New York City. |